Tip 1: Make a Mirror Reflection
Windless conditions are critical for achieving mirror-like
reflections of autumn color in water. But an uninterrupted mirror can create
too static a picture. Instead, look for rocks or logs in the water to break up
the reflection and to provide a visual anchor to help strengthen your
composition.
Another key factor: the angle of the light. I made this
photo at sunrise, when first light started to strike the peak autumn color.
Plan to be on location for sunrise and sunset to capture moody autumn
shots—midday sunny weather won’t provide nearly as much drama. Don’t worry, though, if you don’t have ideal weather every
day. Fall often brings cool and moist conditions— a magical recipe for fog,
morning dew, and striking sunsets and sunrises. I love it when so-called bad
weather moves in, as unstable weather can often result in the most photogenic
conditions.
And don’t stop shooting when peak color fades. Sometimes you
can make the best fall photography when the trees stand bare and fallen leaves
carpet the forest floor. You'll find poignant images in a mostly bare tree with
just a few lone leaves still clinging to the branches. Post-peak also offers a great time for you to look for
scenes of streams and waterfalls with rocks covered with leaves.
Tip 2: Capture Color Combinations
Everyone loves bold autumn color juxtaposed with a brilliant
blue sky. Frame the most vibrant sunlit reds and yellows against the sky to
create the strongest color scheme; including a few puffy, white clouds can’t
hurt, either.
You can use a polarizing filter to darken skies and increase
contrast with clouds. Blue sky, though, is not the ideal lighting for other
types of scenes. Overcast light often works best for streams and waterfalls, as
in the shot below, and a little bit of drizzle can really help to saturate
autumn colors. In situations like this, a polarizer, by reducing reflections
and cutting through glare, strongly enhances color. Polarizers also act as neutral-density filters, reducing
light without shifting color, which allows me to use a longer shutter speeds.
Tip 3: Scatter Leaves
Autumn is one of my favorite times to shoot because it’s one
of the few times I’m not completely at the mercy of the landscape and the
light. As I hike along a trail, I like to gather fallen leaves, looking for the
most colorful. When I arrive at my shooting location, I strategically scatter
them in order to enhance the scene.
This works particularly well for waterfalls and streams
(sprinkle rocks with color), and intimate still lifes (add a splash of leaves
to a shot of bracken ferns). Just make sure that your scattering looks
natural—too many leaves facing color-side up are a dead giveaway that the scene
has been arranged.
Tip 4: Isolate Colors and Detail
Create compelling images by photographing autumn color—but
not the trees—reflected in water. Photograph
reflections in blurred moving water, such as a fast-flowing brook or mountain
stream, or rippled lake water on a breezy day. Experiment with exposures of 1/2
sec or longer to capture a pleasing amount of motion blur. Don’t go too long,
though, to avoid smoothing out the water and reflections too much. Zoom in with
a telephoto lens to exclude all but the most colorful reflections in the water;
rapids and boulders can help enhance the scene.
When photographing reflections, a polarizing filter can help
to bring out the colors if you dial it up only slightly—a little bit of
polarization can enhance the scene, but too much can reduce or eliminate
reflections. While you’re zooming, look for intimate still-life images. A
70–200mm lens (for full frame) is perfect for such scenes. I like to capture
the details that help tell the story of the changing of the seasons. Look to
zero in on a distant autumn hillside, dew-covered leaves carpeting the forest
floor, or just a dash of fall color reflected in a still lake.
Don’t focus all your efforts on trees—plenty of other flora,
such as ferns, blueberry bushes, and other ground plants, take on autumn hues.
Pattern photos of bracken ferns are an autumn classic; ripening berries are
also another cue that fall is in the air.
Tip 5: Create Fall Abstracts
This season is a great time for making impressionistic
motion-blurred images. Although wind often creates problems when photographing
autumn foliage, you can use it to your advantage. So if it starts to blow too
hard for sharp shots, switch gears and go for motion blur.
Look to take fall photography of wind-blown foliage using
long exposures of 1/2 sec or more. Such images usually work best if some
portion of the scene remains stationary, such as a solid tree trunk surrounded
by wind-blown autumn foliage. Use a tripod to ensure that stationary objects
are rendered sharp in your photo during the long exposure.
No wind? Try creating your own motion blur by moving the
camera during a long exposure to create interesting abstract blurs. This technique works well
when photographing forest scenes with lots of color. About 1/2 sec to 2 sec of
exposure time usually works best with this technique.
I hope these tips will be inspirational to you when you are out with your camera!
Beautiful tips. Loved all pics.
ReplyDeleteKeep sharing :)
Thank you for visiting!
DeleteSpectacular!
ReplyDeleteThanks
DeleteGood tips.Thanks.
ReplyDeleteThese are all beautiful, of course; but I especially like the last one, with the picnic table.
ReplyDeleteOh, these are gorgeous! My favorite time of year. :)
ReplyDeleteWe've pretty much had the peak of it here, but we'll have SOME for another 3 weeks or so. Nice pictures!
ReplyDeleteThank you for these great tips they are very valuable.
ReplyDeleteYou have captured autumn in all its brilliance! Thanks for all the amazing tips!
ReplyDeletePoppy